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Tuesday, September 15, 2015
What Do Cats Read About?
I swear, we did not pose this. Just managed to snap it as she, well, studied the cover.
Sunday, September 13, 2015
The Married Priest At the Renaissance Fair
So, I saw this priest at the Renaissance Fair, striding along in his medieval monks habit, a shepherd's crook in hand. Next to him walked a woman in ordinary clothing, baby in her arms. It was clear to me that they were, at the very least, in a long-term relationship.They sat on a stone wall to rest, and I approached them. "I know that clerk in Kentucky is refusing to marry priests," I said, "But I want you to know that I'll stand beside you all the way."
They burst out laughing. The "priest" said, "We're not really into large organizations," and I watched it dawn on him at the same time I said it slowly--"Which is why you're a Catholic priest."
And for a moment, within that circle of laughter, life was grand.
Thursday, August 27, 2015
Envy as a Tool, The Writer's Life
Some time ago when I was an actor, a dear friend got a dream part, that of a strong, successful creature, a woman with a woman's sexuality, not a man's fantasy versions of it. Plus, she got to age 40 years without the benefit of makeup.
She was brilliant--vivid, funny, alive. The world responded: reviews, her face splashed everywhere, award nominations, everything we had dreamed of when we started out as teenagers. I was happy for my hard-working friend, and also, torn up with envy, the kind of evil, gut-eating ache that you can't ignore, no matter how you wrestle with it.
That's when I realized that the envy was a signpost, a gift. It was telling me that I needed to get out and do what I cared about most. I started to show people my writing, got extremely positive responses and began to work on learning to write the long-form challenge that is the novel.
I have since watched this friend's career (and life) rise and fall, but I'm never torn with envy, not for her, not for a fellow writer who gets published. I may feel twinges of wistfulness, but not that gut-wrenching envy. I have my dream and I am actively working towards it, all the time, with as much energy as I can spare. I may have to go slowly, because of limitations on my writing time--I have a special needs child. But I know that Winston Churchill had it right, at least as far I am concerned: never, never, never, never, never give up. Hurray for dreams, and the hard work it takes to achieve them.
Wednesday, August 19, 2015
Compulsive OverReaders Anonymous, or My Little Free Libraries And Me
I used to love Little Free Libraries, those adorable little book houses on sticks in somebody's front yard. Every dog-walk turned into a treasure hunt, not to mention a place to off-load booky clutter caused by having Book Velcro.
You see, I have long had Book Velcro, a delicious and dangerous disease. I just have to walk past a bookshelf and ten of them stick to me. I remember once biking home from a library used-book sale, the bike trailer filled with three large boxes of books ($5 dollars/box) and our toddler balanced preciously on top of the lot of them. (Clearly, my spouse has Book Velcro as well.) Every end of school year, we buy another box or two from the children's school library so they'd have some easily accessible summer reading. And nobody wants to get rid of any, because we might want to read them again. Many times. (Mostly, we do.)
Then, came Little Free Libraries. They were so charming and fun. No more were you stuck with nothing good to read on a national holiday with the libraries and bookstores all closed. We'd map dog walks around them, off-load books into them, getting rid a little of that book clutter, supposedly, though we always wound up carting more home. My littlest one thinks those are actual libraries. "Let's go to the library," she'll say, when what she means is, let's visit the turquoise book house three blocks over, the one with children's hand prints painted all over it.
But now, these book houses are everywhere. Where we live, I'm talking everywhere. One in front of my mom's old house--that's new. One directly across the street from it--never noticed that before. Okay, we can zig-zag to this one and then back again to the next. Only, within a week, another one is installed four houses up the block--isn't that kind of overkill?
And they all contain such interesting books!
Look, we already knew the ones heavy on mysteries, thrillers, romance, children's books, the ones that lean literary or the ones filled with "Advanced reader's copies," making me wonder which of our neighbors work in publishing or do book reviews. If life is rough and we need the equivalent of a sitcom, we know the Little Free Library most likely to sport humor. If we're reading to dig into something deep, we can swing by the second one on Portland Ave to pick up The Kite Runner," or something by Frank Chin--who tends to write both funny and deep. If we're really lucky, we'll get somebody dumping their library on something we're researching--like the five books on race that I found in front of a "modest" house on the fanciest street in a fancy neighborhood.
Which leads me back to Book Velcro. Okay, I should stop complaining. Because those books on race books were insightful and interesting. And after all, I wouldn't know Frank Chin if it weren't for Little Free Libraries. Somebody else's reading choices introduced me to someone I would not likely have found on my own, an author I love. And remember, these expensive books are free free free, if we happen to stumble across them. Our walks and bike rides (and sometimes drives--brakes screech when we see another one) really are a treasure hunt for books.
But, if you looked around my dining and living room at the piles and piles waiting to be read, or if you realized how hard it is to work up a good sweat bike-riding when you stop three times in one block--
Okay, maybe it's not fair to blame those adorable little houses. Maybe this post should really be about self-control. Maybe I should begin it with, "Hi, I'm Sakki. And I'm a compulsive OverReader. And I'm willing to turn my life over to a power greater than Little Free Libraries. . ."
You see, I have long had Book Velcro, a delicious and dangerous disease. I just have to walk past a bookshelf and ten of them stick to me. I remember once biking home from a library used-book sale, the bike trailer filled with three large boxes of books ($5 dollars/box) and our toddler balanced preciously on top of the lot of them. (Clearly, my spouse has Book Velcro as well.) Every end of school year, we buy another box or two from the children's school library so they'd have some easily accessible summer reading. And nobody wants to get rid of any, because we might want to read them again. Many times. (Mostly, we do.)
Then, came Little Free Libraries. They were so charming and fun. No more were you stuck with nothing good to read on a national holiday with the libraries and bookstores all closed. We'd map dog walks around them, off-load books into them, getting rid a little of that book clutter, supposedly, though we always wound up carting more home. My littlest one thinks those are actual libraries. "Let's go to the library," she'll say, when what she means is, let's visit the turquoise book house three blocks over, the one with children's hand prints painted all over it.
But now, these book houses are everywhere. Where we live, I'm talking everywhere. One in front of my mom's old house--that's new. One directly across the street from it--never noticed that before. Okay, we can zig-zag to this one and then back again to the next. Only, within a week, another one is installed four houses up the block--isn't that kind of overkill?
And they all contain such interesting books!
Look, we already knew the ones heavy on mysteries, thrillers, romance, children's books, the ones that lean literary or the ones filled with "Advanced reader's copies," making me wonder which of our neighbors work in publishing or do book reviews. If life is rough and we need the equivalent of a sitcom, we know the Little Free Library most likely to sport humor. If we're reading to dig into something deep, we can swing by the second one on Portland Ave to pick up The Kite Runner," or something by Frank Chin--who tends to write both funny and deep. If we're really lucky, we'll get somebody dumping their library on something we're researching--like the five books on race that I found in front of a "modest" house on the fanciest street in a fancy neighborhood.
Which leads me back to Book Velcro. Okay, I should stop complaining. Because those books on race books were insightful and interesting. And after all, I wouldn't know Frank Chin if it weren't for Little Free Libraries. Somebody else's reading choices introduced me to someone I would not likely have found on my own, an author I love. And remember, these expensive books are free free free, if we happen to stumble across them. Our walks and bike rides (and sometimes drives--brakes screech when we see another one) really are a treasure hunt for books.
But, if you looked around my dining and living room at the piles and piles waiting to be read, or if you realized how hard it is to work up a good sweat bike-riding when you stop three times in one block--
Okay, maybe it's not fair to blame those adorable little houses. Maybe this post should really be about self-control. Maybe I should begin it with, "Hi, I'm Sakki. And I'm a compulsive OverReader. And I'm willing to turn my life over to a power greater than Little Free Libraries. . ."
Sunday, August 16, 2015
Friday, August 14, 2015
Circumcising The Foreskin of the Heart--An Adventure and A Blessed Day.
Yesterday, the kids and I had an "adventure," as they cheerily called it. We were on a busy freeway in the left-lane for an upcoming left exit, when I felt the car lose power.
I switched on the flashers and headed frantically right. One car let me slide by and I kept going. In the rear-view mirror, the vast white weight of a big-rig bore down on us. I didn't even have time to pray, it was more of a breath--"brake, please stop--" and I kept sliding sideways. At least there, we'd get hit by something smaller. I had my head turned right and ahead, to see where we could manage to go before the car died.
To our right ahead, a police car's light flashed, an officer stopped on the shoulder to give a ticket. But the car, though driving more slowly, kept responding, and as I handed my phone over, one kid found a gas-station two blocks away. I hoped to make it all the way there. "Right or left, right or left?" Too late. The light at the top of the incline turned red just as I reached it.
I stopped the car, my flashers still on. Beside me, on the sidewalk, a beggar, his cardboard sign held out. He was a clean-cut white guy in shorts and a plaid shirt, ordinary mid-Western-looking. I rolled down the window. "Is there a gas-station near here?"
He pointed right. "One that way a few blocks." Left. "One that way about two blocks. You ought of gas?" Now, finally, the light on the dashboard glowed yellow. Since Honda recalled our fuel pump cover and replaced it, the car keeps running out of gas without warning. Clearly, we have to get it back to the dealer. Again.
Cars lined up, irritable. Did I mention a heat-index in the '90's, the kind of humidity that could steam broccoli? Somebody honked. Somebody yelled. "You need money?" asked the homeless guy. "I can give you cash."
"I have a gas can in the car," I said. (Bought the second time this happened, about a week ago.) "We can walk there and bring some back."
"You should steer it to the curb," he said. "When this traffic clears up. Otherwise, you'll get a ticket, and get towed and all that."
I looked at the double line of cars behind us, everybody hot and irritable. "I couldn't do that," I said. "Sure you could," he said. "Coast it." I got the kids out of the car. "Could you do that for me?" He said he could. "I just don't want you to get a ticket." I held out the keys.
A red convertible pulled up behind us, top down. The black woman driving it called, "You need help?" She, too, had a clean, Midwestern vibe to her, her hair long and straightened, her convertible immaculate (unlike my mommy van).
"She ran out of gas," he said.
"Do you have a way to drive to the station? I can take you."
"That's great," said the homeless guy. "I can manage here. Steer the cars around. Last week, one car sat there for twenty minutes. Nobody would let them get around the stall."
"Do we still need to move it?" I asked.
"If she's driving you, it would be fast enough you don't have to worry about getting towed."
Another car pulled up behind her, driven by an older white woman with short, gray hair cut in a straight line above her chin. "You need any help?" she called. I had the gas can in hand by this time. "You need me to drive you to a gas station?"
"Thanks," said the black woman. "I've got this one." My kids hauled the booster seat from my car and loaded it into her convertible's back row. I grabbed the gas can and climbed in front.
"You sure you don't need money?" called the beggar. The woman signaled to move right, around our van. Nobody would let her in.
She edged her car sideways, and snarled at the white guy in the fancy car who blocked her way. "He has to prove he has somewhere important to go," I said, "because he has nowhere important to go." She laughed and put out her hand for a shake. "I'm Fern."
I introduced us back. "Bible names," she said.
"Yes," I said, and left it there. They're also family names, but then, we're Jewish, so it's natural that our family names would also be Biblical. "What do you do when you're not rescuing people?"
"I'm raising eighteen-year-old twins," she said. "Takes a lot of time. I was going to pick up a friend and take her to the doctor, but she'll have to wait." The fancy car passed, and she edged into the right lane, palming her phone and dialing at the same time. I wondered if it was fair to be freaking out when someone was busy rescuing us. She managed the turn one-handed while she told her friend she'd be a titch late, then hung up. "And I'm on disability," she told me. "I just had open-heart surgery three weeks ago."
I eyed her profile. In Sefer D'varim, also known as Deuteronomy, in verse 10, we are commanded to circumcise the foreskin of your heart, therefore, and be no more stiff-necked. "They opened your heart and it's still open," I said. She laughed. "Though I'm sure it was that way before," I said, and she nodded. "Oh, yeah."
I thought of my kid in the back, the one who had been begging me to get a convertible. "My son is in heaven," I said.
She looked at me, startled. "Oh, how terrible."
"No," I said, "I mean, my son in the back is thrilled that he's getting to drive in a convertible."
"I still want to get one," he said from the back, "even though my mom burns in the sun, and we could never put the top down."
The gas station was less than two blocks away. I filled the can with two gallons. Gas leaked. "I'd hate to smell up your car." She opened the trunk so I could put the can in. I hurried back inside and shut the door.
The heavy cross-traffic suddenly opened up so she easily turned left toward the freeway. "Do you think I could offer him money?" Fern turned to me, irritated, mis-hearing that I was offering money to her for her kindness. "No, that homeless man," I said. "It surprised me a little. He was so helpful. And he kept offering us cash. Do you think he'd be offended if I gave him money to thank him?"
She said she did not think so. I pointed to the bus-stop just beside the freeway off-ramp, right next to our van, angry traffic still lined up behind it. "This is a perfect place to stop."
She pulled over. "You have a blessed day," she said. I felt a rush of love and homesickness. "I used to hear that all the time, when we lived in South Central Los Angeles." I hopped out of her car. "Don't forget the booster seat," I told the kids. They wrestled to get the strap out of the slot on the seat. "We loved it there. And they never held it against us that we were black." Fern looked at me, startled, and realized what I had said. "I meant that we were white. Oh, man." She started to laugh, a deep belly laugh. "I am really knocked sideways by this." We shared another true laugh as I got the gas can from the trunk. "You have a blessed day, too," I said, though as a Jew, it probably had a different meaning for me than for her. The whole trip took maybe ten minutes. She was so kind.
We ran for our car, still surrounded by angry vehicles, like ants foaming out of a hole. "I wish you'd advance me some money so I could give it to him," said my oldest. "To thank him."
I set the gas can down. The homeless man took it from me. "What's your name?"
"Mark," he said. He couldn't figure out how to open the valve on the red plastic gas can. "You have to turn the red part. Over the white." called the Hmong cabdriver stuck behind us now. "Turn it, turn it and push down." His voice didn't sound angry, but kind. Mark pushed down. "Thank you," we called. The cabdriver edged into the right lane and around the car.
As Mark poured, I asked my standard question, though in a variant for a beggar--"What do you do when you're not standing here by the freeway?"
"I work nights cleaning," he said. "At an office over there. And I take care of my nine-year-old daughter." That stupid white valve meant we couldn't get all of the gas into the car; I know, I had the same problem with it both times. Mark kept trying, spilling it all over. He turned the nozzle, he squeezed the bottom of the can. Those droplets in the bottom were clearly worth saving to him. We're super tight for money, but I would not worry about that last half-gallon, not with the temperature climbing and a line of cars honking behind us. "I am so lucky that her mother decided to move to Utah and leave my daughter with me. I love being with my daughter."
"How long do you usually stand here?" He listed a three-hour window. I was certain we had gotten as much gas in as we could. We couldn't stand there longer, just talking with him. I took out my wallet. "Would you be offended if we gave you something to thank you for your help?"
"Absolutely positively no." I counted out a five and five ones. "This is from my son," I said. "He wanted to use his allowance to thank you.
We all clambered in the car. "What an adventure," said one child. "I rode in a convertible," said the oldest. "If only she'd had her teenagers with her, I could say, "I rode in a convertible with a cute girl," and nobody would know that the rest of you were there, too."
"We rode in a convertible, we rode in a convertible," sang the littlest. I turned my mind from the image of that semi barreling down on us, and to our rescuers: the white beggar, the African-American woman, the gray-haired white woman, the Hmong cabdriver. I know that some of the kindness came because I am white, driving a mommy van, clean, healthy children by the side of the road. Still, it was real kindness from many. It was, indeed, an adventure, and something that would open the heart, without even having to circumcise it, easy.
I switched on the flashers and headed frantically right. One car let me slide by and I kept going. In the rear-view mirror, the vast white weight of a big-rig bore down on us. I didn't even have time to pray, it was more of a breath--"brake, please stop--" and I kept sliding sideways. At least there, we'd get hit by something smaller. I had my head turned right and ahead, to see where we could manage to go before the car died.
To our right ahead, a police car's light flashed, an officer stopped on the shoulder to give a ticket. But the car, though driving more slowly, kept responding, and as I handed my phone over, one kid found a gas-station two blocks away. I hoped to make it all the way there. "Right or left, right or left?" Too late. The light at the top of the incline turned red just as I reached it.
I stopped the car, my flashers still on. Beside me, on the sidewalk, a beggar, his cardboard sign held out. He was a clean-cut white guy in shorts and a plaid shirt, ordinary mid-Western-looking. I rolled down the window. "Is there a gas-station near here?"
He pointed right. "One that way a few blocks." Left. "One that way about two blocks. You ought of gas?" Now, finally, the light on the dashboard glowed yellow. Since Honda recalled our fuel pump cover and replaced it, the car keeps running out of gas without warning. Clearly, we have to get it back to the dealer. Again.
Cars lined up, irritable. Did I mention a heat-index in the '90's, the kind of humidity that could steam broccoli? Somebody honked. Somebody yelled. "You need money?" asked the homeless guy. "I can give you cash."
"I have a gas can in the car," I said. (Bought the second time this happened, about a week ago.) "We can walk there and bring some back."
"You should steer it to the curb," he said. "When this traffic clears up. Otherwise, you'll get a ticket, and get towed and all that."
I looked at the double line of cars behind us, everybody hot and irritable. "I couldn't do that," I said. "Sure you could," he said. "Coast it." I got the kids out of the car. "Could you do that for me?" He said he could. "I just don't want you to get a ticket." I held out the keys.
A red convertible pulled up behind us, top down. The black woman driving it called, "You need help?" She, too, had a clean, Midwestern vibe to her, her hair long and straightened, her convertible immaculate (unlike my mommy van).
"She ran out of gas," he said.
"Do you have a way to drive to the station? I can take you."
"That's great," said the homeless guy. "I can manage here. Steer the cars around. Last week, one car sat there for twenty minutes. Nobody would let them get around the stall."
"Do we still need to move it?" I asked.
"If she's driving you, it would be fast enough you don't have to worry about getting towed."
Another car pulled up behind her, driven by an older white woman with short, gray hair cut in a straight line above her chin. "You need any help?" she called. I had the gas can in hand by this time. "You need me to drive you to a gas station?"
"Thanks," said the black woman. "I've got this one." My kids hauled the booster seat from my car and loaded it into her convertible's back row. I grabbed the gas can and climbed in front.
"You sure you don't need money?" called the beggar. The woman signaled to move right, around our van. Nobody would let her in.
She edged her car sideways, and snarled at the white guy in the fancy car who blocked her way. "He has to prove he has somewhere important to go," I said, "because he has nowhere important to go." She laughed and put out her hand for a shake. "I'm Fern."
I introduced us back. "Bible names," she said.
"Yes," I said, and left it there. They're also family names, but then, we're Jewish, so it's natural that our family names would also be Biblical. "What do you do when you're not rescuing people?"
"I'm raising eighteen-year-old twins," she said. "Takes a lot of time. I was going to pick up a friend and take her to the doctor, but she'll have to wait." The fancy car passed, and she edged into the right lane, palming her phone and dialing at the same time. I wondered if it was fair to be freaking out when someone was busy rescuing us. She managed the turn one-handed while she told her friend she'd be a titch late, then hung up. "And I'm on disability," she told me. "I just had open-heart surgery three weeks ago."
I eyed her profile. In Sefer D'varim, also known as Deuteronomy, in verse 10, we are commanded to circumcise the foreskin of your heart, therefore, and be no more stiff-necked. "They opened your heart and it's still open," I said. She laughed. "Though I'm sure it was that way before," I said, and she nodded. "Oh, yeah."
I thought of my kid in the back, the one who had been begging me to get a convertible. "My son is in heaven," I said.
She looked at me, startled. "Oh, how terrible."
"No," I said, "I mean, my son in the back is thrilled that he's getting to drive in a convertible."
"I still want to get one," he said from the back, "even though my mom burns in the sun, and we could never put the top down."
The gas station was less than two blocks away. I filled the can with two gallons. Gas leaked. "I'd hate to smell up your car." She opened the trunk so I could put the can in. I hurried back inside and shut the door.
The heavy cross-traffic suddenly opened up so she easily turned left toward the freeway. "Do you think I could offer him money?" Fern turned to me, irritated, mis-hearing that I was offering money to her for her kindness. "No, that homeless man," I said. "It surprised me a little. He was so helpful. And he kept offering us cash. Do you think he'd be offended if I gave him money to thank him?"
She said she did not think so. I pointed to the bus-stop just beside the freeway off-ramp, right next to our van, angry traffic still lined up behind it. "This is a perfect place to stop."
She pulled over. "You have a blessed day," she said. I felt a rush of love and homesickness. "I used to hear that all the time, when we lived in South Central Los Angeles." I hopped out of her car. "Don't forget the booster seat," I told the kids. They wrestled to get the strap out of the slot on the seat. "We loved it there. And they never held it against us that we were black." Fern looked at me, startled, and realized what I had said. "I meant that we were white. Oh, man." She started to laugh, a deep belly laugh. "I am really knocked sideways by this." We shared another true laugh as I got the gas can from the trunk. "You have a blessed day, too," I said, though as a Jew, it probably had a different meaning for me than for her. The whole trip took maybe ten minutes. She was so kind.
We ran for our car, still surrounded by angry vehicles, like ants foaming out of a hole. "I wish you'd advance me some money so I could give it to him," said my oldest. "To thank him."
I set the gas can down. The homeless man took it from me. "What's your name?"
"Mark," he said. He couldn't figure out how to open the valve on the red plastic gas can. "You have to turn the red part. Over the white." called the Hmong cabdriver stuck behind us now. "Turn it, turn it and push down." His voice didn't sound angry, but kind. Mark pushed down. "Thank you," we called. The cabdriver edged into the right lane and around the car.
As Mark poured, I asked my standard question, though in a variant for a beggar--"What do you do when you're not standing here by the freeway?"
"I work nights cleaning," he said. "At an office over there. And I take care of my nine-year-old daughter." That stupid white valve meant we couldn't get all of the gas into the car; I know, I had the same problem with it both times. Mark kept trying, spilling it all over. He turned the nozzle, he squeezed the bottom of the can. Those droplets in the bottom were clearly worth saving to him. We're super tight for money, but I would not worry about that last half-gallon, not with the temperature climbing and a line of cars honking behind us. "I am so lucky that her mother decided to move to Utah and leave my daughter with me. I love being with my daughter."
"How long do you usually stand here?" He listed a three-hour window. I was certain we had gotten as much gas in as we could. We couldn't stand there longer, just talking with him. I took out my wallet. "Would you be offended if we gave you something to thank you for your help?"
"Absolutely positively no." I counted out a five and five ones. "This is from my son," I said. "He wanted to use his allowance to thank you.
We all clambered in the car. "What an adventure," said one child. "I rode in a convertible," said the oldest. "If only she'd had her teenagers with her, I could say, "I rode in a convertible with a cute girl," and nobody would know that the rest of you were there, too."
"We rode in a convertible, we rode in a convertible," sang the littlest. I turned my mind from the image of that semi barreling down on us, and to our rescuers: the white beggar, the African-American woman, the gray-haired white woman, the Hmong cabdriver. I know that some of the kindness came because I am white, driving a mommy van, clean, healthy children by the side of the road. Still, it was real kindness from many. It was, indeed, an adventure, and something that would open the heart, without even having to circumcise it, easy.
Thursday, August 13, 2015
SURE, I Can Write A Regular Synopsis For Agency Submission, But For A Literary Novel? Where's My Ruby Slippers?
Im not an idiot. I've read articles, blog posts, books and taken workshops on how to write a novel synopsis. The talk covers Inciting Incidents, Story Goals, and Climaxes, all concepts that came out of Joseph Campbell's analysis of the classic arc of hero's tales, further explored in Chris Vogler's Heroes' Journey, and everything relating back to screenwriting's three-act structure.
They say you have to make sure that each action is tied to an emotion, and that you manage to get the theme in there, too. And then they talk about a famous example, like, say, Star Wars, or The Wizard of Oz. And by this, they mean the film Wizard of Oz, with its streamlined, three act structure (again) rather than the book, where there are two Good Witches and assorted other monsters and helpers, like the Queen of the mice, or the Kalidahs, with the body of a bear and the head of a tiger. And of course, in the book, Dorothy is a capable child, not a wistful adolescent, but that's beside the point.
As much as I'd like to click a pair of ruby slippers (silver in the novel), I think these samples only work for linear novels with a couple of subplots attached to one main thread. The problem is, nobody teaches us how to write a three--page synopsis of The Hours, for instance. Or Colum McCann's Let the Great World Spin. Nobody ever says, "Let's diagram a one-page synopsis of a complex, literary novel. We'll start with the description of an inside wall on page one of E. L. Doctorow's Ragtime, and move on to his story, interlacing real historical persona with three intertwined story lines, in a novel that, through the first decades of the 20th century, also informs us about the middle and end of that century, not to mention right now."
That, now, that would be a class for me.
So, I'm reduced to trying to follow the rules developed for screenplays. Oh, and I'm reading dust-jacket copy.
Here, for Ragtime: Published in 1975, Ragtime changed our very concept
of what a novel could be. An extraordinary tapestry, Ragtime captures the spirit of America in the era between the turn of the century and the First World War.
The story opens in 1906 in New Rochelle, New York, at the home of an affluent American family. One lazy Sunday afternoon, the famous escape artist Harry Houdini swerves his car into a telephone pole outside their house. And almost magically, the line between fantasy and historical fact, between real and imaginary characters, disappears. Henry Ford, Emma Goldman, J. P. Morgan, Evelyn Nesbit, Sigmund Freud, and Emiliano Zapata slip in and out of the tale, crossing paths with Doctorow's imagined family and other fictional characters, including an immigrant peddler and a ragtime musician from Harlem whose insistence on a point of justice drives him to revolutionary violence.
Or here's the jacket copy for Let the Great World Spin: In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people.
Let the Great World Spin is the critically acclaimed author’s most ambitious novel yet: a dazzlingly rich vision of the pain, loveliness, mystery, and promise of New York City in the 1970s.
Corrigan, a radical young Irish monk, struggles with his own demons as he
lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life
careening sideways. Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth.
Elegantly weaving together these and other seemingly disparate lives, McCann’s powerful allegory comes alive in the unforgettable voices of the city’s people, unexpectedly drawn together by hope, beauty, and the “artistic crime of the century.”
A sweeping and radical social novel, Let the Great World Spin captures the spirit of America in a time of transition, extraordinary promise, and, in hindsight, heartbreaking innocence. Hailed as a “fiercely original talent” (San Francisco Chronicle), award-winning novelist McCann has delivered a triumphantly American masterpiece that awakens in us a sense of what the novel can achieve, confront, and even heal.
Of course, I can't very well write, "The Color of Safety, a dazzlingly rich vision of--" well, anything. Hopefully, somebody, someday will write that for me.
Oh, and I can't find the original dust copy for The Hours. If anybody has it, would they type it in for me? And if you have any other synopsis-examples for complex literary novels, send them my way.
Sakki
They say you have to make sure that each action is tied to an emotion, and that you manage to get the theme in there, too. And then they talk about a famous example, like, say, Star Wars, or The Wizard of Oz. And by this, they mean the film Wizard of Oz, with its streamlined, three act structure (again) rather than the book, where there are two Good Witches and assorted other monsters and helpers, like the Queen of the mice, or the Kalidahs, with the body of a bear and the head of a tiger. And of course, in the book, Dorothy is a capable child, not a wistful adolescent, but that's beside the point.
As much as I'd like to click a pair of ruby slippers (silver in the novel), I think these samples only work for linear novels with a couple of subplots attached to one main thread. The problem is, nobody teaches us how to write a three--page synopsis of The Hours, for instance. Or Colum McCann's Let the Great World Spin. Nobody ever says, "Let's diagram a one-page synopsis of a complex, literary novel. We'll start with the description of an inside wall on page one of E. L. Doctorow's Ragtime, and move on to his story, interlacing real historical persona with three intertwined story lines, in a novel that, through the first decades of the 20th century, also informs us about the middle and end of that century, not to mention right now."
That, now, that would be a class for me.
So, I'm reduced to trying to follow the rules developed for screenplays. Oh, and I'm reading dust-jacket copy.
Here, for Ragtime: Published in 1975, Ragtime changed our very concept
of what a novel could be. An extraordinary tapestry, Ragtime captures the spirit of America in the era between the turn of the century and the First World War.
The story opens in 1906 in New Rochelle, New York, at the home of an affluent American family. One lazy Sunday afternoon, the famous escape artist Harry Houdini swerves his car into a telephone pole outside their house. And almost magically, the line between fantasy and historical fact, between real and imaginary characters, disappears. Henry Ford, Emma Goldman, J. P. Morgan, Evelyn Nesbit, Sigmund Freud, and Emiliano Zapata slip in and out of the tale, crossing paths with Doctorow's imagined family and other fictional characters, including an immigrant peddler and a ragtime musician from Harlem whose insistence on a point of justice drives him to revolutionary violence.
Or here's the jacket copy for Let the Great World Spin: In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people.
Let the Great World Spin is the critically acclaimed author’s most ambitious novel yet: a dazzlingly rich vision of the pain, loveliness, mystery, and promise of New York City in the 1970s.
Corrigan, a radical young Irish monk, struggles with his own demons as he
lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life
careening sideways. Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth.
Elegantly weaving together these and other seemingly disparate lives, McCann’s powerful allegory comes alive in the unforgettable voices of the city’s people, unexpectedly drawn together by hope, beauty, and the “artistic crime of the century.”
A sweeping and radical social novel, Let the Great World Spin captures the spirit of America in a time of transition, extraordinary promise, and, in hindsight, heartbreaking innocence. Hailed as a “fiercely original talent” (San Francisco Chronicle), award-winning novelist McCann has delivered a triumphantly American masterpiece that awakens in us a sense of what the novel can achieve, confront, and even heal.
Of course, I can't very well write, "The Color of Safety, a dazzlingly rich vision of--" well, anything. Hopefully, somebody, someday will write that for me.
Oh, and I can't find the original dust copy for The Hours. If anybody has it, would they type it in for me? And if you have any other synopsis-examples for complex literary novels, send them my way.
Sakki
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