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Showing posts with label Anna Leonowens. Show all posts
Showing posts with label Anna Leonowens. Show all posts

Saturday, January 16, 2016

The Romantic Part of Research--Anna Leonowens And the King of Siam

I am deep in that phase of research that parallels the romantic part of love: When you just can't get enough of learning about a subject about whom you plan to write, you just want to dive in, you have to order another book about the history of Siam or Anna Leonowens or King Mongkut.

Anna Leonowns in Canada




















King Mongkut and Queen Debsirindra, 1856. 
Every other word out of your mouth is "Oh," and "That's amazing," and you bend stranger's ears with the absolute fascination of it: "And as a young monk, the king studied Sanscrit and Palian, plus he learned Laotian, Cambodian, Vienamese, Peguan, (what is Peguan?) Burmese, Malay and Hindustani. And then, later, he learned English, but there was no Siamese-English dictionary in existence, but there was an English/Pali one, so he had to translate words from Siamese into ancient Pali and then search for an equivalent in a "voluminous" Pali-English dictionary. And because he was never sure if the Pali word perfectly lined up with the meaning he wanted, he usually put in two or three choices, hoping he'd gotten at least one right."









Yes, it's true love. Staring deep into the eyes of your subjects, and wanting to learn every single thing there is to know about them.

Yes, I know this is Rudolph Valentino's Falcon's lair, and
not on Ivarene, but it will have to do
until I can do more research. 
Later will come the challenges in my research relationship, when I have to keep my cool even though, as the writing is pouring out, I have to stop, stop, stop, to figure out what kind of car star scenarist (screenwriter) Frances Marion would be driving in 1921, where the controls are in that car, how hard are they to manipulate, what the car sounds like as you drive it, what Wilshire Boulevard in Los Angeles might have looked like in 1921, and where can I find a photo of twisty Ivarene Avenue from that era? All those tiny, telling details that make something spring to life.

Right now, it's just bliss, just sinking into the cushion of another age--politics, religion, technology, geography, geology, and above all psychology, learning as much as I can about these fascinating other people's stories so when I write them, I will do them the honor of seeing them as clearly as I possibly can.

Sunday, January 3, 2016

Why Anna Leonowens was offered a "Small Brick House Adjacent To the Palace."




Well, talk about jumping the gun on research. Here I was writing snidely about why anybody would want a brick house in Siam in the 1860's, in a super hot and humid climate, and I forgot all about the "white ants," that is to say termites. Apparently, if a house is not built completely of teak, they will eat it up very quickly, so a brick house necessary.

Also, Bangkok was built on marsh and river, with houses on built up platforms or built up land, so that going anywhere meant having a boat and boat man. It would have been much more expensive for King Monghut to have Anna Leonowens living off site, because she would have had to have both boat and servant handy at all times.
The Grand Palace in Bangkok

I should maybe shut my mouth until I have done voluminous research to make certain I make no more mistakes, but I am so excited about this research and hope to find people who know more about this area.





Wednesday, December 30, 2015

Research Quandaries, Biographer Battles and Anna Leonowens--which one is right?

Love that hair!
So, I'm reading two biographies of Anna Leonowens. Recent ones. And in many places, they flat-out contradict one another.

One is called Bombay Anna, The Real Story and Remarkable Adventures of the King and I Governess p. 2008 by Susan Morgan. (Distinguished professor of English at University of Miami.) Morgan's writing is fun (so far) In this book, Morgan presents a reasonable view of Anna's life and choices, beginning with upward-rising ancestors, proof of her grandmother's marriage, and a wild, free-range childhood where she her voracious intellect was able to inhale several languages beyond the ones she would have learned at home. She manages to make




The other is: Masked, The Life of Anna Leonowens, Schoolmistress at the court of Siam, by Alfred Habegger, a professor emeritus, again of English, at the University of Kansas, and biographer of Henry James Sr. and Emily Dickinson. Habegger really dislikes his heroine, who he explains with great disdain,  falsified things she wrote about her own past (at a time of such bigotry against being a "half-caste," or in Anna's case, one quarter East-Indian, that it was like being a quadroon (one quarter African) while living as white in high society 1850's New Orleans.

He is also given to saying, with high dudgeon, that none of the other white people dealing with King Monghut thought he was highhanded with them, while neglecting to notice that none of the other people he's mentioning are women, and when he mentions Anna's son, Louis, who was with her in Thailand, writing of his fears of King Monghut, Habegger decides not that there might be a reason for fear in an absolute monarchy where opposition is suppressed, but that his mother's "paranoia" must have affected him. 

And he speaks in the simplest psychologicaleese, something that, in general, irritates the heck out of me. Very few things are that simple. Certainly not Anna Leonowens, King Monghut, or the politics of Siam or America or Britain during the years about which he writes. 

But he seems to have done a tremendous amount of detailed detective work and research, as does Susan Morgan. 

So what do I do when they disagree? 

And would anybody know anything about the Bombay Education Society's School during the years of, say, 1840 to 1855? If you do, I'd love to hear from you.

Would you have any idea of whether or how much an Anglo-Indian East India Army brat might encounter Mohommedans, Parsis--(Zoroastrians originally from Persia) Marathis, thugs (a tribe or gang of criminals known as thuggees, believe it or not) Nautch girls, Turban folders, gold-thread weavers, road sweepers, Brahmins and every cast between, cow patty makers, (or did Anna herself make cow patties to line the walls, burn for fuel, etc?) 

Did Anna join her mother with a group of women washing laundry in the river or lake? 

How the heck can I learn about these things? Even if I could afford to travel to India, Australia, Indonesia and Thailand, I couldn't get to 1840 Poona, a now-destroyed Australian outpost, or the brick house outside the palace from that time. 

Though why anybody who had grown up in the heat of India, lived in Australia's dry heat, and Indonesia's humidity, think that a brick house would make sense for living in in Thailand? 

Any ideas? 











Tuesday, December 22, 2015

Anna Leonowens vs. Rachel Dolezal Part 1.


Look at the Victorian woman in this photo, sitting there with her parted hair and her the barrel-hooped petticoats under her skirts. She seems comfortable with the various Indian young women around her, some likely Hindu, some Muslim, some Parsee (descended from Persian Zoroastrians who immigrated to India in previous generations) some perhaps untouchable. The white woman is probably a British missionary or perhaps a Headmistress of a school. All the girls grouped around her are very young. The only older Indian woman is the one on our right looking at the others rather than at the camera. Notice how the Indian women sit around the white woman as though she were a queen.

This photo was taken around the era in which Anna Leonowens grew up, like this photo, in British Colonial India. Though she presented herself as the red-headed Welsh widow of a British officer, descended from British gentry, Harriet Anna Leonowens was born in India, her great-great, grandfather a saddler, her great-grandfather a Brimstone-preaching Methodist in the days when Methodism was an outrageous new sect that preached--astonishingly--that all men are equal, her grandfather then barely a "gentleman."

Even more astonishingly, Anna's grandmother, about whom we know next to nothing, was a girl very similar to the young woman of this photo, more than likely a mistress or "concubine," of her grandfather.

Her mother, in what was the very best option for the time for a "half-caste" girl was married at fourteen to a much older enlisted man, Anna's father, who died a few months before Anna was born.  With few other options, a six-month pension and no funds, Mary Ann married again, an Irish blacksmith turned Sapper/Miner in the British Army (the people who dug tunnels and set explosions to bring down walled cities during military campaigns.) Mary Ann, already the mother of three  including Anna, gave this Donohoe nine other children, while living in cramped, close quarters, and providing the British military with yet another tool as she aided her husband in his work. In fact, according to Anna's later stories, Mary Ann risked her life to protect the payroll that her husband was assigned to guard. (Of course, Mary Ann was also risking her life to save her husband's career.)

In this narrow world, the fact of Anna's mixed race meant most doors were closed to her. Her best option was to be removed from her family and sent to a school for mixed-race girls like herself. She, her sister and a cousin attended such a school which sounds a lot worse than Jane Eyre's boarding school and more like Tribal Boarding schools in the U.S. harsh goals designed to remove the girls from "chee-chee," culture and train them to be, like their mother, useful helpmates to British enlisted men.

When they reached the age of fourteen or fifteen, they were kitted out with a small dowry. On a regular basis, older, steady enlisted men visited the school and sat in a parlor where they were given a choice among them such girls for a wife.  Anna's other sister,  Mary Anne, married such a steady older man--twenty-some years older.

Anna refused to do so. Instead, she married a fiery young Anglo-Irishman, and headed off with him to Australia and the beginning of a life of struggle, loss, gain and adventure. She cut all ties with her mixed-race family, claimed her complexion had been forever darkened by her years under the Asian sun, and used the tale of her governessing for the King of Siam as a launching point into American society, where, as a supposedly very proper British woman of very high pedigree, she lectured about how British ideals saved Siam from slavery. Her spine straightened by whalebone, her discipline hardened by a mother raised, as she was, in a harsh British boarding school, her mind forever questioning, Anna broke free of the mold and became the very model of British upper-class uprightness, providing a living for herself and propelling her daughter, Avis, into the Canadian upper class.



Tuesday, December 8, 2015

Anna And the King of Siam--The reinvented helping to reinvent.


I'm still thinking about the discovery that our pale-skinned, red-haired vision of Anna Leonowens, born in Wales, daughter of a captain in the army, widow of a captain in the army, dreaming wistfully about "When the earth smelled of summer, and the sky was streaked with white, and the soft mist of England was sleeping on a hill," was really a fierce, imaginative, inventive, resilient mixed-race woman who was born in India, raised in India and Singapore, married a weak man and not only found a way to support herself throughout her life, but did so by so completely reinventing herself that she inspired the imaginations of millions of people around the world, in a story of "British civilization" taming a "barbarian." 

This is a woman who had never been to England, whose father was an enlisted man, her mother "Eurasian," in a time when that was social death, who may have grown up among the rest of the soldiers' brats, with what little schooling that entailed, and who reinvented herself not only to teach for five years, the children of the King of Siam, but later reinvented herself with a writing and speaking career, and built a far better world for her children--her daughter married well, and lived a life of leisure, probably never knowing that her great-grandmother was Indian and her mother was not from Wales. 

Anna Leonowens cut off her sister, Eliza Julia Edwards, when Eliza married James Millard, a mixed-race Sergeant-Major with the 4th Troop Artillery, Indian Army in Deesa, Banaskantha, Gujarat, India. In fact, Anna cut Eliza off so completely that she threatened to commit suicide when a family member tried to contact her. (Eliza herself died at age 

But her son, Louis Leonowens, the child of The King And I, who was educated for six years in Siam, was sent to Europe for his education, (after the Thais politely asked Anna to leave.) He returned to Thailand, and married Caroline Knox, the daughter of Sir George Thomas Knox and his wife, a Thai noblewoman--which must have been, in some ways, Anna Leonowen's greatest nightmare, that her son was marrying a woman of mixed race. 

What rich, fascinating characters, including King Monghut, who was no slouch at reinvention himself, who spoke 11 languages, was not raised to be King, was in fact, an intellectual, the successful head of a Buddhist monastery, creating a revolution in Thai Buddhism, and was a moving force in the modernization of Siam.

And then, there is Siam's acting prime minister at the time, Somdet Chao Phraya Si Suriyawong.

And Sir George Thomas Knox and his wife and children. 

And the first women doctors who came from many countries to study at the first medical school in the US to accept women. 

And. . .

Ah, research.